The Clutching Daggers is my latest band name.
I will also be recording work this winter as high plains home recordings.
edit: I forgot to do this (30 Sept. 2023)
https://highplainshomerecordings.bandcamp.com/
Justin Bendell's Word Repository (Feat. Still Life, Bird Life, Death, Landforms, Winds That May Exist, Spires, Yellow Dirt, Brown Leaves, Red Flags, Truck Stops, Tacos, Mirages, Dust)
The Clutching Daggers is my latest band name.
I will also be recording work this winter as high plains home recordings.
edit: I forgot to do this (30 Sept. 2023)
https://highplainshomerecordings.bandcamp.com/
PRESS RELEASE
Since starting the blog in 2014 I have struggled with how to use it.
Sure, I promote my work. But if that is all I do, then this is a self-marketing blog, and that's depressing.
How do I make this space work for me?
I think about other humans. What do they use blogs for?
They write blog essays about tree-farming and saying goodbye to grandma and how to make excellent omelets and five keys to writing the perfect first draft and how to properly grow and maintain whiskers.
I don't write blog essays. I don't have time or interest (this essay excluded).
For me, and I imagine for others, consistency is the primary challenge of maintaining a blog. What would compel me to add to this space?
In the past few months, I've found a use that works.
A scrap board. This blog is now a scrap board. In fact, I think it alway was. I always wanted it to be, but now I'm actually producing enough weird shit that I have material to share on a regular basis.
What is a scrap board? A place for scraps. I will post scraps of art I make--incomplete art (all art is incomplete), fallible art, art that wants to be, but doesn't yet know what it is.
I will use this space as a scrap board for works in progress--both writing & music--and to demonstrate my artistic process.
Why does this appeal to me? Simple. It keeps me honest.
When I post something publicly, the work is vulnerable. I am compelled to return to it, think about it, critique it.
The scrapbook becomes one of several steps in the process of making. If the work holds up, if it has a home in the world, I will find the energy to finish.
WHERE THE SONGS ARE:
CURRENT SD
FC 000
1 soft pretty dark (II. Table Saw; The Dredge?)
2 major rock americana (I. Bead Necklace; Untitled)
3 soft pretty dark (II. These & A Sparrow)
4 dark rnr (II. Executioner's Paradigm)
5 major rnr (III. Black Lung?)
FC 001
1 dub --> rock (II. you are the seasons; maybe refrain in I. Dub Interlude) (8 min)
2 roadtrip rockabilly (II. Set Your Caltrops)
FC 002
1 guitar & drums pretty into rock (III. All of Us, Here, Holding Hands)
2 drums & guitar indie rock (II. Rattle Softly The Cages, very jammy)
FC 003
1 fc rock song too slow tho -- rerecord (III. Onion Town) (6 min)
2 soft pretty msg in a bottle (I. Worm On the Beak)
3 soft pretty wooden floors (III. The Lake)
MOON 01
1 gbv rock song (I. Untitled or III. No Luck Motel)
2 building drums (I. Prelude to Black Walls)
3 rock song (I. Black Walls)
4 dark heavy waltz (I. Longshoreman & Their Rope Coils or II. The Dredge)
5 driving rock song (I. Sun Circle)
FCM015
1 pretty pretty song 1 (III. Satellite)
FCX01
1 pretty pretty song 2 better (III. Satellite)
FC M01
1 fun party drums no guitar (I. or II.)
2 cool slow rhythm no guitar (I. II.)
MCB4
1 cool thumping drum beat (II. Rattle The Cages?)
2 cool driving beat (I. Sun Circle)
FCM2
1 pretty dark waltzy (III. ???)
MOTS1
1 dance-y driving beat (I. Magicians of the Sea)
PREVIOUS SD
SONG 04
1 Great riff -- Keeper! (I)
FC10
1 Acoustic short & epic (Start III.)
2 Acoustic Feast of Wire (III.)
FC3 1
1 Good feedbacky ambiance (Start of II.)
2 Slow driving crunch (II. or nothing)
3 S-K / Nirvana song style (II.)
4 Trippy slow song (I. or nothing)
FC3 2 (1)
1 moody pine forest song (II. yes)
2 cool weirdo waltzy (interlude)
3 joe voss (not balm)
4 cool weirdo moody & almost country western (III. moon)
5 weirdo tropical pop - rock - pop (NOT BALM)
6 fc rock punk song (II.)
7 madison / folk explosion (III.)
8 fc super rock song (I.)
9 super pretty song (III.)
FC3 2 (2)
1 quiet drums rim taps not great
2 other lazy drums whatevers
FC3 3 (1)
1 drums that sounds good 1
2 drums that sounds like pavement's our singer
3 drums that sounds like a dance pop song very nice
FC3 3 (2)
1 drums that sounds good 1
2 drums that sound good 2
3 drums that sound good 3
4 drums that sound good 4
FC3 7
all the songs from FC 3 8 but without drums
FC 3 8
1 latin jazz song (I. Tropicana)
2 latin jazz song 2 (I. Interlude)
3 latin jazz song 3 (III. Tropicana Reprise)
4 acoustic fc (III. satellite? it sounds like twisted DMB)
5 nirvana pop fc (III. maybe)
6 madison / trinidad song (III. Bead Necklace? Other?)
7 heavy rock song (II.)
8 fun rock song (I. Blowdogs?)
Much like Bee Thousand, there’s too much delicious stuff on this recording to list all the fabulous flavas, but please put your ears into action for these, at a minimum, playaz: “Encyclopedia of Stars,” “I Choose the Moroccan Dance,” “Colonel Cactus” and “The Fuel Burners.”
Fuguers Cove is one of the nom de plumes of underground artist Justin Bendell, a dude who really does live somewhere deep in the Manzano Mountains where he writes, makes music and watchs the clouds. Serio. He’s recorded heaps of music since appearing in this part of the material world, but his summer album release, Colours of our Sickness, is like totally sick in its mastery and twisted exression of pop music and guitar rock tropes. Track 12, “Colours of our Love,” reaches toward exhuberant rock anthem status, almost casually, with blistering drums leading the way. I predict The Oh Sees are going to make this album, but maybe not until 2019. -- August March, Weekly Alibi (29 Dec 2017)